As a generative artist, my work explores the intersection of technology, randomness, and meaning, drawing from a diverse palette of influences, including modernist pioneers like Kandinsky, Pollock, Miro, and Klee, as well as the contemporary, vibrant abstractions of Pablo Echaurren. This lineage shapes my exploration of the avant-garde spirit, which I see as central to contemporary art: challenging norms, provoking thought, and engaging deeply with the complexities of modern life.
Motivated by a commitment to inclusion, environmental preservation, equality, and urban culture, my practice employs tools like p5.js and svg.js to create algorithmically driven abstract compositions. These works integrate precision with serendipity, offering viewers an opportunity to engage with the interplay of control and unpredictability a tension that mirrors our relationship with technology.
I view generative art as a transformative approach within contemporary art, where the process often eclipses the product. The use of algorithms and randomness allows for an organic evolution of art, breaking away from traditional notions of authorship and redefining creativity in the digital age. This resonates with the intellectual challenges posed by figures like Hegel and Danto, particularly regarding the relevance of art in a world increasingly dominated by intellect and technology.
In my portfolio, abstraction serves as a means of universal storytelling. Stylized forms and patterns resist direct interpretation, inviting viewers to reflect on themes like time, impermanence, and the digital transformation of human experience. My approach blends computational precision with human imperfection, echoing the innovative spirit of Vera Molnar and Harold Cohen, whose works redefined the possibilities of art through technology.
I see generative art not just as a medium but as an intellectual gesture—a reflection of the systems, randomness, and constraints that shape both art and society. My work seeks to contribute to the ongoing dialogue within contemporary art, embracing the avant-garde ethos of innovation while challenging perspectives through the lens of algorithmic creativity.
Layer upon layer, a mosaic of shifting forms emerges—tiles of color, fractured yet structured, like the stained-glass windows of a cityscape lost in time. Inspired by Tancredi’s 1958 work (A proposito di Venezia), this generative composition evokes a labyrinth of overlapping filters. No single pane grants a direct view; each refracts reality into its own fragmented interpretation. The interplay of transparency and distortion challenges the desire for clarity. Just as cognitive filters shape our perception, these layered grids obscure the truth, leaving only the representation they construct. One does not look through but looks at, compelled to embrace the beauty of interpretation over the illusion of access.
This generative artwork explores the contrast between connection and isolation in modern life. Sharp, triangular shapes cut through a chaotic network of arcs and lines, symbolizing individuals searching for direction in a busy, hyperconnected world. The fiery reds and cooler tones create a sense of tension, representing the noise and energy of digital interactions. Unlike my earlier works, which featured organic, action-scripted backdrops, this piece uses defined lines and structured forms. It reflects the fragmented focus and solitary experience often hidden beneath the surface of constant connectivity.
